These are the springs of the press I was working on.
The intaglio press room.
Ink draw downs that show the colours we have.
Then I finish it off with a polish, here I'm using canary paper. It's tracing paper for architects. Then I wipe the edges and place the plate on the press.
For this print I'm also doing some chin colle. Which is a technique where you glue another paper, usually a thin Japanese paper, to the larger sheet. I've decided that I want the image on the paper so I'm doing it at the same time that I print. These are my pieces of colle paper, I've brushed a glue on the back and let it dry. This process makes the paper into a stamp. We soak our printing paper so it is more flexable and it also dampens the colle paper causing them to be glued together.
Running it through the press.
This is my wallpaper screen print. Tom is in this one to help give a sense of scale. Each panel is about 7ft long.
The dark line in the right of the image it the edge of two of the panels. I've printed them so that they match up.
1 comment:
Speaking with absolute objectivity, this is really cool! Fascinating to watch the print being 'born'.
Dad
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